Recent content by deltatask1

So for those interested, after working on this problem all day, the perfect color settings that I like that makes the footage easily editable in post with enough dynamic range to play with, is color profile set to "None" and then Sharpness, Saturation, and Contrast set to 0, -3, 0 respectively...

Well after further testing I've found that D-Log creates a neon-magenta color for the reds and blows it out, D-Cinelike is red but just blown out. HOWEVER, I didn't even think to try the "None" profile. The reds are no longer blown out and the dynamic range of the reds are perfect. "Beach" color...

The more I edit footage from the X5 the more disappointed I am in the DJI and the horrible codec that blows out the reds in my footage. Most of the red colors look bright, but if you try to do any adjustments in post they look neon. I'm sick to my stomach over it after purchasing an Osmo with...

No, balance is perfect. Also, this is the DJI 1.7 lens that comes standard on it.

I'm having a problem. When the my X5 moves quickly a horrible rubbing sound is heard. Since fresh out of the box I've had this problem. I was able to capture the sound when recording. Take a look and let me know if yours does this or what you think the problem is.

I just tested out D-Log, D-Cinelike, None, and Art. Art is the only color profile that doesn't blow the reds out.

D-Log, D-Cinelike, and None all still blow the reds out. Art is the only color profile that we have that doesn't do this.

I just shot a wedding with my Osmo PRO using the X5 and I used the cinelike color profile. My reds were blown out. Luckily I barely (and I mean barely) was able to edit it out enough to salvage the footage. Once I got home I started playing around with the different color profiles and I think...