I think were on a similar wavelength here.
I used to much prefer 30fps to my own eyes, especially when yawing or panning. But to my customers 24fps is desired. After much client input I shoot all 24fps DCI 4K (unless the client asks for 5.2k or 6k in either cinemaDNG or Prores). I prefer DCI also for the true 24fps instead of 23.97 or whatever with UHD. The framerate really does provide a cinematic “feel”.
I also very much like the ARRI and DJI log-to-rec.709 LUTs for DJI’s log, they provide me with the color space I like to operate in.
I think youll enjoy the 24fps switch!
-KG