I was actually more taken by the ultra slowmo in the middle. Looked like 120fps. Question is with the low light, that kind of frame rate requires a very fast shutter so as not turn (the trucks in this case) into little blur balls. also, I was expecting more digital noise. My guess is a good deal of post-production going on here, but that's only a guess?
El Mode kept the noise in check I’m guessing. I’m Shocked myselfI was expecting more digital noise. My guess is a good deal of post-production going on here, but that's only a guess?
4444xqI was actually more taken by the ultra slowmo in the middle. Looked like 120fps.
Very nicely done. So regarding the slomo, FCP can slow down 30 fps with that level of fluidity? Surprising!El Mode kept the noise in check I’m guessing. I’m Shocked myself
I believe it set itself to 800 iso
4444xq
No 120fps sadly. Shot @30fps
Slow mo was set in fcpx.
It was too dark to double the shutter speed so I stuck with 30.
I’m cheap that extra 1k for the other license, **** man. Maybe next monthPerhaps I should reconsider?
Thank you SirVery nicely done. So regarding the slomo, FCP can slow down 30 fps with that level of fluidity? Surprising!
I shot a Hyperlapse of the GW originally. Had some battery juice at the end so I figured I’d shoot some video to compare.Why 4444xq over DNG raw?
Im from the city but that's my type stuff! I've used a small fold up table for still for waterfalls but never video.Have you considered shooting with your I2 on a tripod?
Coors Light all day!Scotch by the fire!
UK style is slightly differentWhere can you order something like this ?
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