Wow, WTF? I used to fly a D800E and D810 with a Sigma 50/1.4 Art and the IQ was phenomenal; I really miss it. But the truth is, a cobbled-together box of miscellaneous parts is no match for a fully-integrated solution like the
I2/X7.
And honestly, even before DJI announced the X7, I kept thinking that what they need to do is get away from that tiny M43 sensor and go to a bigger sensor with a slow lens (to make it light enough to fly), and that's what they did, so cheers for them. If only it was sharp.
Latest Thoughts:
I've now shot 58 images with the X7/35. I know that seems paltry to most people, but considering my subject, it's not too shabby. And this is enough to have really given me a lot of files to play with in Photoshop, etc. So here's what I think.
The noise situation is greatly improved. Candidly, the X5S is useless above ISO200, which is pretty much true of all M43 sensors. The X7 held up adequately even at ISO800, and is definitely usable at ISO400, so this is very good news. As to dynamic range, that too appears to be improved, but this is harder to prove in an objective way.
Sharpness is still quite bothersome to me, in that every image looks slightly out-of-focus. The results are still usable for the web (because any jpegs that fit on the kind of monitors most people use - say 1600px wide or thereabouts - are so low-res that you could shoot a photo with a 10-year-old cellphone through a blurry pop-bottle-bottom and it would look fine), but I'm really looking for something that will hold up on a print as well as a DSLR from 15 years ago, and that's not where we're at, as best I can tell.
Oddly enough, the lens shows as being made by Sigma, so it should be a decent lens. Sigma certainly knows how to make great glass, as the 50/1.4 Art for the Nikon is absolutely stellar. So I am puzzled. My dealer (a photographer, BTW) says that he thinks DJI just doesn't have their formula right when it comes to processing the data off the sensor. And he may well be right. DJI didn't make this sensor (I don't know who did), but they did (presumably) have to develop their own software (likely based on someone else's reference code) to process the sensor data. So maybe there is hope. But it could be the case that the sensor anti-aliasing filter is very strong, as one might expect for a video camera where moire is bothersome but high acutance is not typically desirable or useful.
So overall, I still am not pleased with the X7/35 because it really isn't as sharp as I require. I may very well go back to shooting with the X5S because it is much sharper and produces adequate (though not great) images in full sunlight. For sunrise and sunset, the X7 is really the only choice.
And if I wasn't so addicted to the fully-integrated user experience of the
I2, I'd get off my *** and get my sole remaining octo back in shape to fly my D810 again (my first octo flew away with my D800E a year ago, just part of the game since everything in the air is ultimately disposable).